Leif Olofsson, Chief Designer and Founder, Marten:
”The unique design of our level 3 room from SMT gives me a huge advantage when I design and demo my loudspeakers. The room adds nothing to the performance so the only things I hear are the recording and the system/loudspeaker. Because of this it's much easier to hear any resonances/distortion that's in the system in itself and it helps enormously in the process of development.”

http://www.andersastrand.com
Great recording facilities! The room gives the vibraphone a very natural and full sound that brings something extra into the recording process. You have really succeeded in creating a great sound, including both a good low register and as well as a high register, allowing me to play very dynamically. I have had the opportunity to record solo as well as with bass and drums, and the room works very well in both situations. Thanks for putting you skill into these great facilities.

Peer Astrom First call mixer (Madonna,Celine Dion,Enrique Iglesias,Miley Cyrus,Kelly Clarkson,Cyndi Lauper,Josh Groban, Glee etc)
Matts! Thank you for your help! With Your knowledge and products, You managed to exceed my very high demands. With a less then ideal celing height to start with, the room stil plays straight from 20khz down to a shattering 20hz! And the amount of detail and resolution in the sound is mindblowing. By far the best room I've ever worked in!
Thank you!

Tor Forberg, Classical Bassist Audio Concepts level 3
“I become one with the instrument when I play in this room, hearing details I never experienced before. The room has no impact on the sound, no coloration, and delivers the full instrument ambience and timbre full of details."

Mike Chaufee Sound Designer for the large 5.1 Playback System for the Audio Engineering Society’s 123rd. Convention in New York City.
Sound Experience level 3 room essentially disappear. They are so balanced in frequency and time, that it is now possible to optimize equipment and positioning parameters to get closer than ever to the holy grail of unquestioned accuracy. One of Mikes Chaufee references : Sound Designer for the large 5.1 Playback System for the Audio Engineering Society’s 123rd. Convention in New York City.

Stereo level 3 room member of Whatsbestforum World premiere for "All in with Wings and Varitunes"
How does it sound? Even before fine tuning of Q1 position and upstream components, fantastic.

• Bass is extremely clean and detailed. What you hear is bass as it was recorded: flat, clean.
• Excellent imaging: very enveloping and precise in positioning. The large amount of reflected sound from the sides contributes to the illusion of image broadening. The fact that SMT diffusers are similarly effective over the entire spectrum above the transition frequency ensures that the sounds arrive spectrally intact at listener ears. And as we know, precedence effect for localization works best when the spectra of the direct and reflected sound are similar.
• Richness of tone is the best I have heard. Music sounds tonally richer because I can hear more of the timbral nuances (the delay introduced by diffusers gives time to the brain to process overtones which normally are masked by strong transients)
• Neutral room: The room completely disappears to let hear the acoustic of the recording room. The room response to loudspeaker sound is even across frequencies. The room is also neither dead, nor “live”: it stores the energy and redirects it over time, with a very regular energy decay curve across frequencies.
• Very even sound response when I walk around the room playing saxophone.